This research project examines the dramaturgical implications of three historically significant unrealized theatres. The objective was to form new insights on these seldom examined theatres through the process of computer-based 3D visualization. The three case studies draw upon a wide range of source material: including architectural plans, sketches, performance manifestos as well as significant productions and artistic trends that informed 1920s theatre practice.

The case studies were implemented using the architectural 3D modelling software AutoDesk's 3D Studio MAX 2008. Conducted alongside a conventional historical review, this project has been designed in line with the principles and recommendations of the London Charter. This approach to historical analysis was framed by an assessment of the research qualities and conditions of computer-based 3D visualization.